Photography proposal Misplace/ment
Through daily life we see arrangement, organisation and
order. One of the biggest ideas I wonder about is the opposite. What would life
be like if we changed the order of things? What if you could begin to see what
life would be like through a different set of eyes? We are so used to seeing
order and neat arrangement that the misplacement of items or objects causes a stir and this is
when art can take place. I intend to develop and create a project based on this
exact idea. I want to explore the way not only objects can be out of placed but
the vast ways humans and animals can feel misplaced. i want to explore not only
the well-known photographers but explore other mediums like art, history and
literature. This will help me explore the way people interpret misplacement
through both humans and objects. I want to look at photographers like Arthur
Tress and Lee Jeffries but also more abstract like John Stezaker and Toni
Meneguzzo. These photographers have inspired me to develop my own ideas and the
biggest inspiration of the idea of reality vs imagination and a change of
perception. I want to open up the ideas I already have and discover more during
my future work. The word ‘misplace’ I feel will open up lots of ideas and allow
me to explore photographers as it can be interpreted in many different ways.
Bibliography
Arthur Tress (2015) in Wikipedia. Available at: https://en.wikipedia.org/wiki/Arthur_Tress (Accessed: 3 November 2015).
Meneguzzo, T. (no date) Toni Meneguzzo. Available at: http://www.tonimeneguzzo.com/holy_cow.html (Accessed: 3 September 2015).
O’Hagan, S. (2014) John Stezaker: ‘Cutting a photograph can feel like cutting through flesh’. Available at: http://www.theguardian.com/artanddesign/australia-culture-blog/2014/mar/27/john-stezaker-sydney-biennale (Accessed: 3 November 2015).
Thornhill, T. (2012) ‘Faces of the forgotten: How haunting portraits of homeless people changed photographer’s view forever’, Daily Mail, .
Citations, Quotes & Annotations
Arthur Tress (2015) in Wikipedia. Available at: https://en.wikipedia.org/wiki/Arthur_Tress (Accessed: 3 November 2015).
(Arthur Tress, 2015)
Meneguzzo, T. (no date) Toni Meneguzzo. Available at: http://www.tonimeneguzzo.com/holy_cow.html (Accessed: 3 September 2015).
(Meneguzzo, no date)
O’Hagan, S. (2014) John Stezaker: ‘Cutting a photograph can feel like cutting through flesh’. Available at: http://www.theguardian.com/artanddesign/australia-culture-blog/2014/mar/27/john-stezaker-sydney-biennale (Accessed: 3 November 2015).
(O’Hagan, 2014)
Thornhill, T. (2012) ‘Faces of the forgotten: How haunting portraits of homeless people changed photographer’s view forever’, Daily Mail, . (Thornhill, 2012)
Arthur Tress (2015) in Wikipedia. Available at: https://en.wikipedia.org/wiki/Arthur_Tress (Accessed: 3 November 2015).
Meneguzzo, T. (no date) Toni Meneguzzo. Available at: http://www.tonimeneguzzo.com/holy_cow.html (Accessed: 3 September 2015).
O’Hagan, S. (2014) John Stezaker: ‘Cutting a photograph can feel like cutting through flesh’. Available at: http://www.theguardian.com/artanddesign/australia-culture-blog/2014/mar/27/john-stezaker-sydney-biennale (Accessed: 3 November 2015).
Thornhill, T. (2012) ‘Faces of the forgotten: How haunting portraits of homeless people changed photographer’s view forever’, Daily Mail, .
Citations, Quotes & Annotations
Arthur Tress (2015) in Wikipedia. Available at: https://en.wikipedia.org/wiki/Arthur_Tress (Accessed: 3 November 2015).
(Arthur Tress, 2015)
Meneguzzo, T. (no date) Toni Meneguzzo. Available at: http://www.tonimeneguzzo.com/holy_cow.html (Accessed: 3 September 2015).
(Meneguzzo, no date)
O’Hagan, S. (2014) John Stezaker: ‘Cutting a photograph can feel like cutting through flesh’. Available at: http://www.theguardian.com/artanddesign/australia-culture-blog/2014/mar/27/john-stezaker-sydney-biennale (Accessed: 3 November 2015).
(O’Hagan, 2014)
Thornhill, T. (2012) ‘Faces of the forgotten: How haunting portraits of homeless people changed photographer’s view forever’, Daily Mail, . (Thornhill, 2012)
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