Wednesday, 30 March 2016

The theory of fish existence -FALLING-

After looking at John Donne's poetry I have learnt lots of new things and began thinking about lots of new theories. I liked the analogy that my English Teacher made and decided to take it further. I myself have pet fish and decided to take some images based on them an this theory. Looking closely at the animals I find it hard to believe that they have fully functioning bodies that keep them alive. Although it may seem like a simple though it is something that I have though deeply about and decided these images best summed up the depth of the theory.

My teacher suggested they, imagining they have there own ideas, know of the fish bowl and what is in the room around them. They have no idea of the world that exists on the stet even further to the city of Sheffield and on a larger scale of the world.
These images do not look closely at detail and are not the best images I have taken, yet I believe they summarize perfectly what I am aiming to show my audience.
I believe this fits the project perfectly as I am technically falling into the idea of us existing.

My Images:






Monday, 28 March 2016

John Donne Poetry -FALLING-

As a student I like to incorporate my other subjects within  my work. As photography is a very research based subject it allows me to include research from my other topics and subjects and look in depth at them further. In my English we are currently studying John Donne a poet from the 17th Century. His work, although is brilliant in itself, does not relate much to my current project directly. I really like reading his work and through reading more I have discovered how the ideas behind his work can relate to my work. The topic of FALLING is something that although can be literally falling I have looked at in very metaphorical ways. The ideas I have had may not directly link with the word falling but will have some metaphorical work.
Poetry is "literary work in which the expression of feelings and ideas is given intensity by the use of distinctive style and rhythm; poems collectively or as a genre of literature"

Specifically "John Donne, was an English poet and a cleric in the Church of England. He is considered the pre-eminent representative of the metaphysical poets". His work is loved by many including myself and through his work he explore much larger ideas such as love, life, body and soul and relationships. I like the link I have made through looking at how life is larger than we think.

A theory from my English teacher and an idea that I myself share is that of the goldfish. Keeping a gold fish as a pet helped me clear my ideas. The goldfish has an awareness of the outside of the tank but only as far as the room he is placed in. The fish does not know that he is on a street in a town in a country e.c.t. This is an idea that I feel humans have as there is no limit. Although we may think we know the more about the world, we may not and there is no limit on the depth of knowledge the word can give us and therefore it is always growing. 

I want to create some images based on this idea and this poet and look at fish themselves. I do own fish and have always felt this way. The fish are unaware and could represent us in their small world of a fish tank similarly to us and our world. 

Although the poem is long in length, it opens up ideas you may not have had before and explore metaphysics in a different way. 


The Ecstasy
BY JOHN DONNE

Where, like a pillow on a bed 
         A pregnant bank swell'd up to rest 
The violet's reclining head, 
         Sat we two, one another's best. 
Our hands were firmly cemented 
         With a fast balm, which thence did spring; 
Our eye-beams twisted, and did thread 
         Our eyes upon one double string; 
So to'intergraft our hands, as yet 
         Was all the means to make us one, 
And pictures in our eyes to get 
         Was all our propagation. 
As 'twixt two equal armies fate 
         Suspends uncertain victory, 
Our souls (which to advance their state 
         Were gone out) hung 'twixt her and me. 
And whilst our souls negotiate there, 
         We like sepulchral statues lay; 
All day, the same our postures were, 
         And we said nothing, all the day. 
If any, so by love refin'd 
         That he soul's language understood, 
And by good love were grown all mind, 
         Within convenient distance stood, 
He (though he knew not which soul spake, 
         Because both meant, both spake the same) 
Might thence a new concoction take 
         And part far purer than he came. 
This ecstasy doth unperplex, 
         We said, and tell us what we love; 
We see by this it was not sex, 
         We see we saw not what did move; 
But as all several souls contain 
         Mixture of things, they know not what, 
Love these mix'd souls doth mix again 
         And makes both one, each this and that. 
A single violet transplant, 
         The strength, the colour, and the size, 
(All which before was poor and scant) 
         Redoubles still, and multiplies. 
When love with one another so 
         Interinanimates two souls, 
That abler soul, which thence doth flow, 
         Defects of loneliness controls. 
We then, who are this new soul, know 
         Of what we are compos'd and made, 
For th' atomies of which we grow 
         Are souls, whom no change can invade. 
But oh alas, so long, so far, 
   Our bodies why do we forbear? 
They'are ours, though they'are not we; we are 
         The intelligences, they the spheres. 
We owe them thanks, because they thus 
         Did us, to us, at first convey, 
Yielded their senses' force to us, 
         Nor are dross to us, but allay. 
On man heaven's influence works not so, 
         But that it first imprints the air; 
So soul into the soul may flow, 
            Though it to body first repair. 
As our blood labors to beget 
         Spirits, as like souls as it can, 
Because such fingers need to knit 
         That subtle knot which makes us man, 
So must pure lovers' souls descend 
         T' affections, and to faculties, 
Which sense may reach and apprehend, 
         Else a great prince in prison lies. 
To'our bodies turn we then, that so 
         Weak men on love reveal'd may look; 
Love's mysteries in souls do grow, 
         But yet the body is his book. 
And if some lover, such as we, 
         Have heard this dialogue of one, 
Let him still mark us, he shall see 

         Small change, when we'are to bodies gone.

Thursday, 24 March 2016

Photographer #12- Everlasting By Annabel Oosteweeghel -FALLING-

https://www.lensculture.com/articles/annabel-oosteweeghel-everlasting#slide-9

Everlasting By Annabel Oosteweeghel 

I discovered these images on Lensculture and are exactly what I was looking for. As humans we presume quite fast and are quick to judge, yet in these images we are able to sit back and explore. We as the audience are allowed to interpret this as we please. I usually go into a lot of depth on series of images like this on Lensculture but decided not to for this. The image speak for themselves and allow the audience to make what they want of it. I have looked at these images and decided they represent everlasting love as the title may suggest. The images speak thousands of words and explore my idea of falling in love with someone for years and years.
 Really interesting set of images that have given me food for thought.


Tuesday, 22 March 2016

Alice in Wonderland? Drug Trip -FALLING-

From a simple search online for the word "drug trip" it is clear that it is apparent it feels this way. The images are almost mind stretching and you have to adjust to see the images properly. These images allow me to get into the mind of what a drug trip feels like due to researching Alice in Wonderland. Alive in Wonderland opened up some ideas for me as to what I would research. I know the story and after further research found some theories about the story revolving around drugs.



Even for a simple search of "Alive in wonderland drug trip" lots of sources are returned:




These quick searches show how a simple story can allow audiences to lose themselves. I want to explore this further and maybe look at folk takes and scary small stories that have been told over the years.

Medium Format Experimentation

Medium Format

I personally have never experimented a lot with medium format cameras and only recently have I begun to explore the technical side of the camera. I was browsing a second hand shop and came across this camera. This beautiful camera is the No.1 Kodak JR medium format camera.
This camera was made by Eastman Kodak Co., Rochester, N.Y., USA and produced between 1914-27 with quantity 800.000+ units.





"A Medium format has traditionally referred to a film format in still photography and the related cameras and equipment that use[1] film. Generally, the term applies to film and digital cameras that record images on media larger than 24 by 36 mm (full-frame) (used in 35 mm photography), but smaller than 4 by 5 inches (which is considered to be large-format photography".(1)

This camera although it is really old and not a technique I use that often, I can remember how to loads and to develop the film. This is something I would like to take further and look closely into and try to take my own images on the camera itself.

When I find the correct 120 film for this camera I hope to take images that follow the current exam theme, FALLING. I am looking closely into the types of shots I want to take and following my idea of a narrative based images I want to take some images both inside and out that explore just that.

literary inspiration: Stuart Hall


REFERNCES:

https://en.wikipedia.org/wiki/Medium_format_(film)
http://camerapedia.wikia.com/wiki/No.1_Autographic_Kodak_Junior
http://www.kenrockwell.com/tech/intro2mf.htm

Monday, 21 March 2016

Alice In Wonderland -FALLING-

Alice In Wonderland 


"Alice's Adventures in Wonderland (commonly shortened to Alice in Wonderland) is an 1865 novel written by English author Charles Lutwidge Dodgson under the pseudonym Lewis Carroll.[1] It tells of a girl named Alice falling through a rabbit hole into a fantasy world populated by peculiar, anthropomorphic creatures. The tale plays with logic, giving the story lasting popularity with adults as well as with children.[2] It is considered to be one of the best examples of the literary nonsense genre.[2][3] Its narrative course and structure, characters and imagery have been enormously influential[3] in both popular culture and literature, especially in the fantasy genre."

This book although we grew up with it in our childhood, there has been many ideas that have been inspired by it. For example, 
  • American McGee's Alice (2000), a third-person psychological horror action video game released for PC on December 6, 2000. Set years after Alice's Adventures in Wonderland and Through the Looking-Glass, the game features an older, more cynical and macabre incarnation of Alice.
This allows us to see that a small book can allow you to open your mind and be interpreted in lots of different ways. I have liked researching this as it has opened up my imagination and let me explore a story so simple but with a twist. And although this is not photography, Alice is still falling down the rabbit hole. 

Photographer #11- Wonderland Photographs by Kirsty Mitchell -FALLING-



Wonderland By Kirsty Mitchell



Another idea I have recently explored is the idea of a fairy tale. I have researched into aspects that are specific to certain fairy tales and of the same idea, Alice in Wonderland. I like the idea of the narrative being built up by images and words and lots of little details that explore a story. I love the colours and shapes with Alice in Wonderland. The almost trippy aspect of the movie and book allowed the audience to lose themselves in the book and to allow my theory to be explored in depth. I believe that a story can allow a person to lose themselves and become lost within a book, image, song, movie or anything of the type. This means the person can feel as though they are falling. Falling through literature is something that I could explore as literature has changed so much over time. In order to explore this I need to do more research into these ideas.

I recently did a search on LensCulture of 'Fairy tale and work by the artist, Kirsty Mitchell and she has played around with colours and shapes to create fairy tale like images. The woman looks mystic and enchanted furthering the idea of a false world. It explores the positive side of fairytales which could be the contrast to something I explore.



Sunday, 20 March 2016

Photographer #10- Couples In Love, Through the Lens of Desire- Kris Sanford -FALLING-

Through the Lens of Desire By Kris Sanford


In order to continue this interest into narrative photography, I recently began looking into couples and the things that are done to make them a couple. This means looking at the part of their relationship that make up the couple and how it can be deconstructed. I looked at different images of couple in a more metaphorical way. I looked at a photographer named Kris Sanford who explores couples with a different photographic frame as he crops the head out of the images and yet shows their love for each other. By doing this, it allows it to become much more personal to the audience as they may be able to relate and this adds emotion and depth. The fact they have been cropped this way allows us to think about the way we love our partners or others.

The images are all black and white which adds to the depth of the emotion in the images. The lack of colour adds to the depth as it only shows emotions not colours. It also is framed within a circle within a square background. (see below) This again strips it of its narrative and allows the audience to think about what the photographer may be suggesting.

This links with the narratives I have been exploring and how it tells a story. These image explore a couple with a past. They have individual ideas, memories. beliefs, morals and daily habits alongside other things that are unique to them. Allowing the audience to relate on a deeper level.





Saturday, 19 March 2016

Stuart Hall - Reception Theory -FALLING-

Reception Theory




I first heard about him during my media studies lesson in which we spoke about his reception theory and the way it works. "Reception theory is a version of reader response literary theory that emphasizes each particular reader's reception or interpretation in making meaning from a literary text. Reception theory is generally referred to as audience reception in the analysis of communications models."(1)





This idea came to me during a media class in which we explore reception theory. I began thinking this could be suitable for other topic such as photography and looked closely into how we perceive photography. We use the same theory as suggested by Stuart Hall. We explore images and look at them in a way that is personal, if we believe the image is good and has a interesting technique, story or idea it is said we take a preferred reading of this image. We can also have a negotiated and a oppositional reading to the image.

This made me think about the way my project is panning out and what I am looking at. I am taking lots of research about narrative photography which is allowing me to use my camera to tell stories. I believe similar to the English idiom "every image can speak a thousand words. This quote, although cheesy, allow the audience to interpret the images however they want and allows them to take there ideas further.
This is something I will look at further to explore some more narratives and stories.





https://www.bing.com/search?q=reception+theory&filters=ufn%3a%22reception+theory%22+sid%3a%22a1f8349d-ebbc-64c2-eac4-927e90ff5524%22&FORM=SNAPST


Friday, 18 March 2016

The Lovers (1928) Rene Magritte -FALLING-

The Lovers - Rene Magritte



The Lovers is a painting by French surrealist Rene Magritte, created in 1928.  

The painting depicts a veiled couple embracing and kissing. Obviously symbolic, many have speculated about why the couple is veiled. Many have also interpreted the painting in different ways – the common interpretation being “Love is blind”.  



The image at first glance stimulates the audiences mind and allows the to take in their first impression. At a glance, it simply looks like a man and woman kissing under some cloth. Yet as the audience look closer it may reveal underlying messages that are either personal or universal. 

Its link to my project i found is through the idea of finding inspiration through narrative. Although this image is an individual as in, it stands alone, it also allows an open interpretation and for the audience to take from it what they want. A personal response to this may questioning the reason they are under the cloth. To me, I see a couple who want to be together but are too scared to reveal their true selves. As a couple, you work together and you help each other grow and through covering your face it reduces the risk of getting hurt or revealing something you don't want too. The cloth also looks as though it is preventing them from kissing which could make the audience look to it as a barrier in their relationship such as a problem. As this is my personal response to this piece of art it can change varying from person to person. there is no real definition and no 'right' answer to what this painting is about. I want to take this from this piece of work and develop it into my own. There is never a set reason or 'right' answer and that is what I want my images to also portray. 


http://www.renemagritte.org/the-lovers-2.jsp